
What I find most beautiful about the culture of the Kulin Nation is their relationship with land. They do not see themselves as owners, but as caretakers. Land, water, animals, trees — all are part of a network of relationships.

Long before Melbourne existed, the Wurundjeri Woi Wurrung people called the river Birrarung — often translated as “river of mists and shadows”.

Wealth shaped the architecture: wide verandas, high ceilings, double entry doors and cast-iron balcony lace filled with curls, rosettes and fan-like patterns. These were houses designed to impress.

You wander through maze-like streets filled with cafés, street art and trams that glide by with that cheerful, familiar ring and then suddenly: calm. A sea of green.The quiet sound of leaves instead of car horns.

Meet the kookaburra — Australia’s iconic “laughing” bird. Discover its call, personality, behaviour and why this calm, characterful species feels so deeply connected to the Australian landscape.

One of the most striking pieces is the Saw Doctor’s Wagon, also known as the Road Urchin — a brightly painted, part-home, part-workshop wagon created by English immigrant Harold Wright.

Walk along the quay, run your hand across the tiles, and you realise that this world icon isn’t about perfection but imagination — a million imperfect ceramic pieces brought together into one idea.

For me, the Yarra feels like she reintroduces Melbourne again and again — first modern, then creative, then green.

It was a quiet Sunday in Canberra. As I walked along the winding paths, I noticed how effortlessly the building blends into the landscape. It rests like a curved hill of glass, stone and grass

In a city as vibrant as Melbourne, it’s comforting to have a place where you can exhale. The Lyall gave me exactly that: calm, space, comfort and a touch of understated luxury.